Jeffrey Lewis
platitudes is New York's Jeffrey Lewis and his honest, diverse,
irreverent and poignant music that epitomizes the hard work,
creativity and love of what you do that Mr. Peel brought to music and
life. Flitting between his two loves of comic book writing and music
like a lothario lover; Jeffrey Lewis has a rare and refreshing talent.
He even combines his two pleasures with neat flip pad aided live
favourites such as `Champion Jim" and `I Saw A Hippy Girl On Eighth
Avenue'. How many people can say they keep they balance their two
loves with such prowess?
Jeffrey takes time out after another breathtaking European tour to
discuss progress on his third album and provide and insight into his
life and motivation. Jeff exudes honesty from every orifice, as
regular devotees at his shows will no doubt testify. Read on for
insight and a little bit of insanity, it is what you need in this ever
serious world isn't it?
>How is work going on your third studio album? What is the mood of it
going to be like?
Work going slowly, not doing much really, we did some recordings in
Birmingham in February but never got to finish them, now I've been
talking with Kramer about having him produce some recordings here in
NYC, I really love the Daniel Johnston and Galaxie 500 albums he made,
and other stuff, so it's an exciting prospect. I think it's going to
be my best album ever, in terms of being a real album, and really
putting across more of the spark that I get playing live. More band
songs than before, more colors, pushing it all into something I
haven't achieved before. I have no idea if other people will agree
with me, but I think it'll be the one of my albums that I'm most
likely to want to listen to myself.
>How hard is it to balance your two loves; writing comic books and
your anti folk music? What does compiling your comic books mean to
you, and what in your opinion is the current state of this medium, is
it floundering?
Appreciation for comics or music comes from the internal quality of
the art, if people are still making comics of quality then the medium
won't flounder, like anything. Compiling my comics means a huge amount
to me, it's when I feel like I've really gotten something done!
>Since your second album `It's The Ones Who've Cracked That The Light
Shines Through' your profile has steadily risen. How has your recent
European tour differed from past ones and which of your songs went
down and the best? Which do you enjoy playing the most?
The tours get better every time, as I get better at organizing them
and better at playing! There's no one song that works the best, every
night is different, and we try to make every show pretty different, so
a song that came out terrible in a big club in France might be played
again 4 shows later at a basement show in Germany and be the best
event of the night, nothing is ever predictable for me. And the songs
I enjoy playing the most are not necessarily the same as the best
songs, of course. Lately I've been loving playing `Artland', I love
that me Jack and Dave are all playing separate interlocking parts, I
love the repetitiveness of it, and that Jack and I have sort of
layered dovetailed vocals, plus I get to stretch out on the guitar
noise. I want to put a 50 minute version on the new album but Jack and
Dave say no.
>How would you describe the New York music scene at the moment has it
changed much in your time away and, describe your feelings when you
arrive in New York after a lengthy tour?
I love NYC despite my many complaints, and I always love being back
home! People always come and go, lately I've been enjoying the Bowery
Poetry Club scene more than the Sidewalk Antifolk scene, there's only
so many white people with acoustic guitars that I can watch and the
bowery has more of a mix of weird performance art and story telling
and perverted puppet shows and stuff. So being a white guy with a
guitar myself, It's nicer to be somewhere with more variety.
>Are you finding it harder to do your customary Thoreaux like retreat
to a shack in the woods in order to work on your comic books and
drawings, with increasing demands being made on your time? Do you fear
that your drawings may lose authenticity because of this?
The drawings don't lose "authenticity", but my output certainly
dimishes... it affects the quantitiy more than the quality. And it's
my own fault if it happens, I don't HAVE to be answering email
interview questions instead of drawing comics right now!
>You grew up with very little exposure to television. Do you think
this medium should be banned or controlled, thus forcing people to
explore more creative and erstwhile pastimes?
TV is just fine as a medium, same as comics or songs etc. You can
waste your life just listening to songs or reading comics as much as
you can by watching TV. All depends how you balance what you take in
and what you put out and everybody's different. But because TV is free
and easy to digest it preys upon the will, like any cheap drug. I
don't know what can be done to strengthen people's wills, if you
figure it out let me know cause I need to strengthen mine!
>Your anti-acid message conveyed through 'The Last Time I Did Acid I
Went Insane' on your debut album and the follow up `No LSD Tonight' on
your second album, probably does more to avert people from substance
abuse than any patronizing TV ad or poster. Can we expect another
instalment on this theme on your new album or are you finished with
Acid influencing your songs?
I never had an anti-acid message, I just happened to decide I didn't
want to do it. Writing a song about acid was fine, writing a song
about a song about acid was fine, but I doubt I need to write a song
about a song about a song about acid.
>Are you surprised with the cross channel success of the anti-folk
genre and are you still pleased to be associated with the
aforementioned genre, or are you keen to move on?
I'm listening to the new Brer Brian album this very minute and it's
really great, I'm always proud to be associated with people doing cool
creative stuff! If Antifolk means cool creative stuff, count me in;
and I hope the good stuff and the new artists will continue to reach
appreciative ears where ever they are.
>One of your most popular songs at gigs has to be the satirical, non
album number `Champion Jim' with accompanying A3 flip pad production.
Do you have any plans to release this nifty number or even a concept
album on the adventures of Champion Jim (Just a thought)?
I might put a recording of it on an album at some point.
>What song, book or poem would you say sums you up?
`Dancing Gods' by Silver Apples.
>What are your plans for the rest of the year and the beginning of the
next one?
Record the next album, put out the next comic book, plan the next
tour, be less shy, buy less bad records, see more good movies, be less
hard on myself, but keep trying harder. Maybe go to a dentist.
Catch you later! Happy Thanksgiving!
Interview by David Adair.
thejeffreylewissite.com
posted by skif @ 9:38 AM 1 comments links to this post
1 Comments:
At 12:37 PM, Blogger Tali said...
Great Interview!!
Post a Comment
Links to this post:
No comments:
Post a Comment